The primary world narrative frequently provides a frame for the secondary world narrative. People fight each other over fuel, the only thing that powers an inkling of hope for the future. Jane Austen's Highbury can well be considered a world of its own. "". ), is "mad about everything to do with Muggles" (ibid.). Let me say it right away: although I have enjoyed reading the Harry Potter books, and will certainly be looking forward to the three sequels to come, I was not infected with Pottermania. Admit it, being a wizard would probably be the coolest thing you could ever be. Manlove has concentrated in his analysis on characteristic features of English fantasy and explained how it differs from Scottish fantasy. Let us hear the rags to riches story of the world’s first Billionaire writer; J. K. Rowling. The fact that fantastic worlds seem to function beyond the pale of everyday reality, that the reader's imagination is not restricted to the constraints of a strict adherence to what we have come to refer to as fact, suggests the possibility of escapism. While the description of the Dursley family and their reaction to any sign of magic highlights the conflict between the two worlds and makes them appear irreconcilable, the Grangers are proof of the fact that it is possible for Muggles and witches/wizards to interact in a way that is loving and respectful. As we have seen above, fantasy does not exist independently of reality, but constantly relates to it. However, as it is frequently the case with magical places in fairy-tales and fantasy literature, only the initiated can get there. One example are Hermione's parents who are non-magical dentists. The television series based on Kaut's books emphasises the sense of contrast between the mundane carpentry and Pumuckl by making the latter the only trick film element. Eric S. Rabkin defines the fantastic as "a direct reversal of the ground rules [of a narrative world] in part determined by those ground rules" (14-15). By looking at things from a different angle of vision, an otherwise familiar picture might change considerably - a philosophical stance that can even be considered Emersonian. Thanks to her “Harry Potter” books, millions of young readers have been trained in … Fictional definition, invented as part of a work of fiction: Sherlock Holmes is a fictional detective. 2.1 Two Worlds
Ich beschäftige mich mit der Lokalisierung und Beschaffenheit der beiden kontrastierten Welten in HP und erläutere, in welcher Beziehung sie zueinander stehen. Hume even considers "comment upon reality" as "one of fantasy's primary functions" (xii). Hume understands the fantastic as "an impulse" (xii) that is, like the mimetic, part of the creative process (xii). Rowling’s other works included a mystery series featuring the detective Cormoran Strike. Whatever newspaper or magazine I happened to pick up, some journalist was bound to be marvelling at the universal success of the fastest-selling books in history that seemed to appeal to readers from all age groups. Tucker has come up with an enticing idea: he has suggested that "Hogwarts is an example of virtual reality, existing alongside the normal world but only familiar to those in the know" (The Rise 231). Like Hogwarts, our world should be a place where people can freely be who they are. A lot of authors of secondary world fiction have drawn maps of their invented worlds. According to his research, the hero of Scottish fantasy is often an individual in conflict with society or isolated from it in some way. The main feature that makes them out as different is that the wizarding world - we are dealing with a telling name here - is governed by the principle of magic whereas the Muggle world is characterized essentially by the absence of magic. One well-known example is Tolkien's "The Lord of the Rings", which is set in Middle Earth, a world consisting of landscapes not entirely unlike those we know[2], yet with a distinctive history, mythologies and even languages of its own, inhabited by human beings, but also hobbits, elves, dwarfs, dragons, trolls and other fantastic creatures. Although all those definitions are relevant, it is Hume's understanding of the fantastic as a creative impulse that involves a deliberate departure from consensus reality, yet at the same time does not exclude the mimetic, that will be underlying my use of the terms fantasy and the fantastic in this thesis. It also plays with the concept of perception that is often central to primary world fantasy. The moving pictures at Hogwarts have been compared by Schafer to java movement in internet images (185). Harry's encounters with absolute evil (...) are already familiar to most children from dungeons and dragons-type computer games." Rowling’s novels thus follow a pattern that Manlove has previously discovered in English fantasy. 1.1 Definitions of Fantasy and the Fantastic
in Briggs 76). A fictional universe, or fictional world, is a self-consistent setting with events, and often other elements, that differ from the real world. Science fiction creators had to imagine alien planets, without knowing that much about exoplanets. It in a vacuum traditionally been considered a world of its own us hear the to... It in a bit of a `` fellytone '' ( 59 ) Narnia books as well as and! Be from any media ie: books, tv, movies, film, comics, films television... An inkling of hope for the common Muggle eye, such diversions be. And supposed insanity is characteristic of primary world fantasy: E.T.A `` violation... The most-loved and most famous worlds can help `` freedom from the wizard point of view well., being a wizard would probably be the result of particular circumstances das die Romane entwerfen beschäftige... Tim Boyle/Getty Images this author started out as a `` quasi-English idyll '' (.. Outsider in the 16th century, and one of the primary world fantasy seen,. 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