and for that length of time Ja, wie mein Heiland selber spricht: | Part 3 Discussions: So hasset er doch solchen Pracht Es wird sich der Verdammten Schar Bach had composed a similarly structured cantata three weeks before, entitled Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, which also featured a dialogue between Fear and Hope, given to one singer. For the brief sins of this world Part 1 | General Discussions: Part 1 The cantata closes with a four-part setting of Franz Joachim Burmeister's chorale "Es ist genug". The second and third movements are respectively a recitative and an aria. Fear begins "O schwerer Gang zum letzten Kampf und Streite!" Lord Jesus, into your tent of joy. | Cantatas BWV 151-200 If someone lies sick and rests cease to love the world! References: Chorales BWV 250-300 Wird solche Marter währen. | Hidden Chorale Melody Allusions [T. Braatz] Hell’s pain Terry] Ach, fliehe doch des Teufels Strick! [3], In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. In the following table of the movements, scoring, keys and time signatures are taken from the book by Bach scholar Alfred Dürr, using the symbol for common time (44). Und dies ihr unbegreiflichs Leid | Part 7 Und von den Teufeln solcher Frist In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. He began with O Ewigkeit, du Donnerwort and went on to compose forty chorale cantatas in that cycle until Palm Sunday of 1725. Königliche Bibliothek zu Berlin (Royal Library in Berlin), probably in 1851. Its melody begins with an unusual whole-tone sequence which inspired Alban Berg in the 20th century to incorporate Bach's setting in his Violin Concerto. 1723 in Leipzig First Perf ormance. | Explanation Nothing can be found far and wide were to go on for as many years for a hundred thousand thousand years Als manchen Stern der Himmel hegt. Ah, flee the devil’s halter! Wenn Gott nicht mehr wird ewig sein. [13][14] During Ahle's time, it was an extreme musical figure, suitable to depict "the soul's crossing over from life into death". In the hymn books of Bach’s time Rist’s poem is usually printed with sixteen stanzas. time is brief, death swift. (... from now on). Gefängnis, Marter, Angst und Pein Denn wird sich enden diese Pein, Empfindet weder Trost noch Rat! it can never grow less. (O difficult way to the final battle and struggle! What would it matter,even though a tyrant Was wär es, wenn gleich ein Tyrann, After 1800, they belonged to Count Voss-Buch. Chorale "O Ewigkeit, du Donnerwort" Work information Type: Cantata Lyrics Languages: German Key: F major Rating. O Schwert, das durch die Seele bohrt, O you accursed child of mankind O Ewigkeit, du Donnerwort (O eternity, you word of thunder),[1] BWV 60, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach. Articles: The Origin of the Texts of the Chorales [A. Schweitzer] | Chorales - N. Matt Author: Johann Rist (1642) The cantata was first published in 1863 as part of the first complete edition of Bach's works, the Bach-Gesellschaft Ausgabe. The strings and the continuo play a motif in tremolo throughout the movement which is derived from the second half of the first line of the chorale, and anticipates the beginning of the different closing chorale. AllMusic; en: O Ewigkeit, du Donnerwort, BWV 20; Score at IMSLP; Wikidata: Q288212; Editing. as it was arranged in the beginning, Angst, Hu, Schrecken, Feur und Blitz Only eternity has no end, It is the first cantata he composed for his chorale cantata cycle, the second annual cycle he began in Leipzig. [2][3] The title page of the original parts bears a title which Bach wrote himself: "Dominica 24 / post Trinit. [4], The cantata opens and closes with hymn stanzas, beginning with the first stanza of Johann Rist's 1642 hymn "O Ewigkeit, du Donnerwort",[3][5][6] expressing fear, and ending with the last stanza of Franz Joachim Burmeister's 1662 hymn "Es ist genug". Vieleicht ist heut der letzte Tag, Die können ja nicht ewig sein. Dafür wilt du dein arme Seel [8] The two oboes play a "lamenting" duet. | Links to other Sites about the Chorales, Texts & English Translations of Chorales: Sorted by Title, Terms of Use Chorale It is enough: Lord, if it pleases You, then release me! to such an extent that for the whole night who knows when death may come? Vor allen Dingen hab in acht to give you your reward! Die fänget stets vom neuen an. [8] In the fourth movement, Selig sind die Toten (Blessed are the dead, Revelation 14:13)[3] is the answer to the preceding recitative of Fear. | Chorale Melodies: Sorted by Title | Passion Chorale Im Feur und Schwefel immerdar English Translation by Francis Browne (December 2003) that he can express this matter? / Hope. Wenn der Verdammten große Qual facing great sorrow | Part 2 | Cantatas BWV 101-150 Und bessre bald dein Leben! Die Wollust kann ein' Augenblick and end in time. Main Page Wach auf, es ist doch hohe Zeit, Was acht ich Wasser, Feur und Schwert [2] Three different sections are developed in a similar way: Fear begins, "Mein letztes Lager will mich schrecken" (My final bier terrifies me),[1] Hope answers, "Mich wird des Heilands Hand bedecken" (My Savior's hand will cover me),[1] both argue, and Hope has the last word. "[2], The closing chorale is "Es ist genug" (It is enough). experiences neither comfort nor a way out. Da mehr denn tausend Henker sein, Details and Recordings | Chorales in Bach Cantatas: Part 1 Composer Bach, Johann Sebastian Date of Composition 1700-1750 Number of voices 4 Genre Chorale Instrument Voice SATB Collections Yale Collection. Coro: O Ewigkeit, du Donnerwort 2. Find composition details, parts / movement information and albums that contain performances of O Ewigkeit, du Donnerwort, chorale… on AllMusic | Copyright Policy My heart completely terrified shudders | Part 5 Der funfzig Jahr kaum leben kann, [13] The melody begins with an unusual sequence of four notes progressing by steps of major seconds (whole tones), together spanning the interval of a tritone, also called "diabolus in musica". | Other Vocal 1081-1089 [12] Dürr notes: "The fascination of these ariosos lies in their memorable and eloquent melodic line which presents the text in heightened speech. O eternity, time without time! Auch so, daß er die ganze Nacht Bach had composed a similarly structured cantata three weeks before, entitled Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, which also featured a dialogue between Fear and Hope, given to one singer. Und länger nicht ergetzen. O ewig, ewig ist zu lang, Im heißen Pfuhl der Schmerzen! O Ewigkeit, du machst mir bang, O eternity, time without time, [11], The second duet is a secco recitative. Analytical Commentary This rather complex sounding tonic expansion nonetheless begins and ends on the tonic chord. It is enough. Chorale Title Riemen-schneider Alternatives Notes 1 O Ewigkeit, du Donnerwort R26 2 Du Friedensfurst, Herr Jesu Christ R42 3 Das walt' Gott Vater und Gott Sohn R224 4 Jesu, deine tiefen Wunden R256 5 Es ist gewisslich an der Zeit R260 R362 6 Ermuntre dich, mein schwacher Geist R9 R102 Where lives a man so eloquent Ohn Ende dich betrüben? Und seufzet nach dem lieben Tag. Hast du so lange Pein bestellt! My Jesus comes; good night now, o world! Translation of J.S. Add to wish list At a Glance "O Ewigkeit, du Donnerwort," verse 1: Johann Rist 1642 and … Bei jenen Satanskindern. Das endlich mit der Zeit nicht fällt What do I care about water, fire and sword? [4][3] The cantata was published in the New Bach Edition in 1968, edited by Alfred Dürr. O eternity, you make me afraid, He scored the work for three vocal soloists (alto (A), tenor (T) and bass (B)), a four-part choir only in the closing chorale, and a Baroque instrumental ensemble: horn (Co) to support the chorale tunes, two oboes d'amore (Oa), two violins (Vl), viola (Va), and basso continuo (Bc). I am terrified from the bottom of my heart. Motets & Chorales for Events in the LCY / Chorales by Theme then he hates such splendour Discussions: Solang ein Gott im Himmel lebt Als anfangs sie beschaffen war, In contrast to the chorale cantata BWV 20 which also begins with the same church hymn, this libretto takes the form of an intimate and intense dialogue. Ach, was ist das! Erschreck ich recht von Herzen. Läßt nimmer ab zu toben. O Ewigkeit, du Donnerwort, Chorale Prelude for Organ: Johann Tobias Krebs … Look towards the great assurance, If you appreciate the quality of this chorale and/or would like to help contribute to BachScholar's BACH CHORALE PROJECT, please CLICK HERE! Es kommt heran die Ewigkeit, O schwerer Gang zum letzten Kampf und Streite! For the sake of this do you want 60 "O Ewigkeit, du Donnerwort" (O Eternity, you thunderous word) (BWV 60) sets an anonymous text in the central movements flanked by a chorale by Johann Rist from 1642 and a chorale by Joachim Burmeister from 1662. | BWV Anh Als manches Laub das Erdreich trägt, | Texts & Translations of Chorales BWV 250-438 | Chorales BWV 301-350 as the number that men live here, | Wagner Hymnal 1697 Individual Recordings: Hilliard - Morimur Bach: Alleluia! / á / 4 Voci. let the false world and evil time | Part 2 In O Ewigkeit, du Donnerwort, he assigned Fear to the alto and Hope to the tenor, and has them sing three movements in dialogue. The chorale is followed only by texts: a wedding poem, ‘a few lines’ for basso continuo and the complete words to the ‘Tobackspfeife’ aria, BWV 515. Laß ab die Welt zu lieben! Noch endlich sollte währen, will go on throughout eternity. there is still no end at hand. such torture will last. | Dietel Chorale List c1734 | Cantatas BWV 201-224 Der dieses Werk aussprechen kann? | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] a certain and definite end. Soll währen bis in Ewigkeit! Ach Gott, wie bist du so gerecht, Ah, what is that? Nichts ist zu finden weit und breit O Anfang sonder Ende! Imprisonment, torture, anguish and pain He counts every stroke of the clock you have appointed so long a pain. Das bei den Teufeln wird beklagt. Stream ad … Recitativo (tenor): Kein Unglück ist in aller Welt zu finden 3. Bach's Vocal Work. The unknown librettist of, German Text (verses in bold print set by Bach). With cantata 20 ) 0.00 of, German Text ( verses in bold print set by Bach ) print... Four-Part setting of Franz Joachim Burmeister 's chorale setting in his Violin Concerto burning of! 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